Sport
Embarrassing Arsenal fans captured stealing another Liverpool song

The Premier League season will likely be remembered for a number of reasons, but for the passionate supporters of Liverpool Football Club, it will be etched in their memories as a campaign where their team showcased their dominance, leaving their rivals trailing in their wake. While the ultimate coronation of the champions might still be on the horizon, the feeling amongst the Anfield faithful is one of confident anticipation, particularly when considering the struggles faced by their supposed competitors throughout the season.
Among those considered to be in the chasing pack, Arsenal Football Club has often been touted as a potential challenger to Liverpool’s supremacy. However, the reality on the pitch has painted a different picture, with the Gunners often finding themselves a considerable distance behind the relentless pace set by Jurgen Klopp’s (or his successor’s) formidable side. This significant gap has led many to believe that when the two teams eventually meet at Anfield, Mikel Arteta’s Arsenal will be in a position to offer the newly crowned champions a traditional guard of honour, a gesture of respect for their achievements.
However, it appears that the appreciation from the North London club might not be limited to a polite applause on the pitch. Reports and observations from various sources suggest that Arsenal’s fanbase has adopted a rather unconventional method of showing their admiration for Liverpool – by seemingly borrowing and adapting the songs that have become synonymous with the Anfield atmosphere. This alleged act of musical appropriation has been met with a mixture of amusement and disdain by Liverpool supporters, who pride themselves on their originality and the vibrant atmosphere they create at their iconic stadium.
The latest instance of this alleged song theft revolves around the popular chant that Liverpool fans have passionately sung for their Colombian winger, Luis Diaz, over the past couple of seasons. The catchy tune, adapted from the Italian folk song “Bella ciao,” has become a firm favourite among the Anfield faithful, its infectious rhythm and heartfelt lyrics echoing around the stadium whenever Diaz is on the ball or celebrating a goal.
Now, it appears that Arsenal fans have taken a liking to this very same melody and have seemingly crafted their own version, with adjusted lyrics to suit one of their own players, Gabriel. The reported lyrics of the Arsenal rendition go as follows: “His name is Gabi, he’s from Sao Paulo and he plays for Arsenal.” While the sentiment behind the song might be intended as a show of support for their player, the decision to utilize the tune of a well-known Liverpool chant has been widely criticized and labeled as unoriginal by many within the footballing community.
This is not the first time that Arsenal fans have been accused of borrowing from Liverpool’s songbook. In recent years, the adoption of the “Allez, Allez, Allez” chant, which gained significant popularity among Liverpool supporters during their run to the Champions League final in [Insert Year of Liverpool’s “Allez, Allez, Allez” Fame], also drew similar accusations of a lack of originality. For a club the size and stature of Arsenal, boasting a massive fanbase and a rich history of its own, the inability to seemingly create distinct and original songs has been a source of embarrassment for some and amusement for others.
The sentiment among Liverpool fans is clear: while they appreciate the recognition of their impactful songs, the act of simply changing the words to fit their own players is seen as a display of a lack of creativity and an over-reliance on the traditions and atmosphere cultivated at Anfield. As one Liverpool supporter aptly put it, “Just like they did with ‘Allez, Allez, Allez’, it’s embarrassing that a club that is supposed to be the home of a massive fanbase and its own history – can’t even make different words never mind stealing the tune too.” This sentiment encapsulates the general feeling of disappointment and mild mockery directed towards the Arsenal fanbase.
The article’s author, NBA Williamson, further emphasizes this point by stating, “Arsenal fans have shown how poor they really are.” This strong statement reflects the perceived lack of ingenuity from the Arsenal supporters in their approach to creating their own matchday atmosphere. While acknowledging that Liverpool fans did not originally pen “Bella ciao,” the author highlights that it was the Anfield faithful who brought the song to the forefront of the modern Premier League, transforming it into a chant intrinsically linked with their club and Luis Diaz.
There is a prevailing narrative among Liverpool supporters that their club often faces unwarranted criticism and rivalry from other fanbases. Yet, despite this, there seems to be an undeniable tendency for other clubs and their supporters to follow Liverpool’s lead, whether it be in terms of on-field success or, as in this case, the adoption of popular chants. This phenomenon is often attributed to the passionate and creative nature of the Liverpool fanbase, who are widely regarded as one of the best and most influential in the country.
While Arsenal fans in London continue to lament the injuries that their squad may have suffered throughout the season, Liverpool supporters find it somewhat ironic that these same fans are seemingly willing to showcase the perceived superiority of Liverpool’s culture and atmosphere by adopting their songs. This situation further fuels the long-standing rivalry between the two clubs, adding another layer of intrigue to their future encounters.
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As the season progresses, and with the potential for a guard of honour at Anfield looming, the debate surrounding Arsenal fans’ alleged song theft is likely to continue. Liverpool supporters will undoubtedly continue to celebrate their team’s success with their own unique and vibrant soundtrack, while the spotlight remains on whether Arsenal’s fanbase can find its own voice and create an atmosphere that is distinctly their own.
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